Feet: The questions they raise 2
The first week of the Unravelling course** had me photographing and paying attention to my feet. To where they go each day, and where they don’t. To how I feel about them. To how they anchor me in the world.
Mostly, the week had me circling around two questions: Where do your feet take you? Where don’t they (and why)?
The inertia of routine in daily life is something a lot of people talk about in their blogging. How hard it is to change routines. How good it feels to take a different bus line home, walk down a new street, spontaneously go the long way home and end up seeing a flock of geese rise from a pond along the way, or an especially glorious stand of daffodils in the height of spring bloom.
It seems like sometimes we choose where we go, or how we go. But more often we follow routines that take us along the same well-worn paths, where we may or may not really see the things we pass. This is true in everyday choices as well as the larger trajectory of life. Photographing and noticing my feet had me stopping to look at spots I usually would have just passed by. Noticing JJs and my feet, and the places we stand next to each other in day-to-day life. It had me crossing the Golden Gate Bridge one afternoon to explore a park, Marin Headlands, that I’ve wanted to visit for a long time. And it had me sitting in a new cafe, by myself, writing and thinking about story ideas for a children’s book.
Mostly, the first week of the course had me noticing and reflecting on my choices. Both everyday ones, and larger life ones. I know, of all the many directions one could go with a photography assignment regarding feet (and Susannah gives MANY ideas), I choose a serious, contemplative one. My willow-sitting-by-the-river nature that seems to come along with having a hippy, earthy, tree name!
So I’ve started a list of things to do this summer that get me stepping outside my usual routines. What are you hoping to do this summer that perhaps takes you outside your routine?
**For reasons that make absolute sense to me, Susannah asks us to limit what we share of the course on our own blogs. So while I will write about my experience in the course here and there over the next 8 weeks, and share some of my photos, I’ll let you discover the details of the course itself by taking it if you’re interested. It’s only been a week, but already I highly recommend it!
Unravelling Course 2
This week I started an e-course in photography and self-discovery led by Susannah Conway (thank you Christina!). Susannah’s 8-week course is called “Unravelling: Ways of Seeing Myself” and it’s a journey in picking up a camera and using it as a tool to unlock how we see ourselves and the world around us. Already it has me looking at my pictures in a different way, flashing back to college when I would take rolls and rolls of black and white and then spend my Saturday nights in the darkroom developing photos into something meaningful.
It’s different – I’M different – when I’m taking my pictures more seriously. Allowing for creativity and experimentation to spill through as I snap pictures, then looking through them with an eye to what they say, what they mean, how they speak in tandem with each other.
It’s thrilling to be re-encountering this creative pulse that I carry in my blood. Photography, pottery, sewing, drawing – all were hugely important to me growing up. Yet I’m realizing with ever more clarity just how thoroughly I had sidelined it from my life since those college photography classes. Not that I never did anything creative; I just did it less and less, and saw my career as needing all of me. But when I ask why I gave up these things, I don’t have an answer except the inertia of everyday life took over.
I’m excited and terrified as I open to the possibilities of this creative pulse.
And it makes me wonder. How many of us abandon more creative pursuits as we grow into adulthood? Childhood overflows with creativity; children are wellsprings of ideas and energy for stories, art, making things. Where does it all go?