Wanting to be back on the marsh 1
Out on the marsh, I watch birds. A tall, white crane, standing still at the edge of the water. I take a picture, wishing I had brought a zoom lens, knowing the photo wouldn’t capture the feeling I have here. The feeling of being open, relaxed, taking in the world. Suddenly the crane lifts off, flies above, wings large and almost awkward for the size of its body. It swoops around, flies out of sight, and I keep walking. Smelling fresh air blowing off the water, feeling fresh spring grass against my ankles. The next day, my body still relaxed from a weekend in Pt. Reyes, I can still see the orange poppies when I close my eyes, feel the open space and rolling green hills.
Back in the city I worry about which windows are open, whether I locked the backdoor, and what time I have to leave today. I think all too much about clothes though my wardrobe doesn’t matter in grad school. I walk to yoga class, grateful to have found a teacher nearby. I worry about the progress I’m making on my thesis, whether it’s enough, what it means to me, what I will become when I finish. What if there are no jobs I’m interested in applying for next year? I feel completely open to shifting my career for family, yet children feel further away than ever. I’ve stopped thinking ahead, planning, thinking about what things will look like if I get pregnant this month, or next. Who knows?
I stall this morning, making a quiche for tonight’s class potluck instead of writing first, as I know I should. Chopping broccoli from last week’s farm box, weighing down the crust with rice and putting it in the oven for 10 minutes, mixing together eggs and milk, throwing in thyme, cheese; all the while listening to the radio, a show on Alzheimer’s and new research about its causes and cures. “The scariest thing for people is losing cognitive functioning” a doctor says. “I think, therefore I am Shakespeare wrote, but he might as well have written “I remember, therefore I was, for without our memories, who are we?”
It’s a good question. What will I remember from this time in my life?
Photographing hands & babies 0
My first love in photography was babies and hands. I first got a real camera in college, a hand-me-down Pentax K1000 from my boyfriend’s mother. It came with a bag of old lenses, a little grainy but still working. I would take my nieces, then toddlers, to play in the park, for walks near my parents’ house, or out to the beach and snap away. The love of photographing hands started with my parents, both of whom work with their hands and have for their whole lives.
Taking this series of pictures recently, of friends and my husband’s hands, and my beautiful friend’s baby, made me think about my college photography days, and about how important art used to be in my life. Photography and pottery were a huge part of the end of high school and most of college for me. At one point I even considered being an art major. I dreamed of opening a studio on the coast of Northern California, with a darkroom and pottery studio.
I like where my life has taken me, but I miss doing creative work. My mother is with us for three nights this week. She has made a living with her creativity, making and selling all kinds of dolls. Whenever I am around her and her work, I am struck by how much space she occupies, spreading out in an explosion of color and sewing materials. There are piles of cotton knit doll bodies on our table right now, and bags of old sweaters sit next to a suitcase full of doll clothes in front of my desk. Crocheted hair pieces are spread out on the couch, blacks, reds, blonds, and pink for mermaids, the mohair yarn leaving hairs spread across the taupe corduroy cushions. A blue quilted, velvet mermaid tail lies on our couch, and rolls of yarn roll about on the floor. I get edgy by the disarray that seems to surround her, and found myself breathing a sigh of relief when she left for the day this morning. But I am deeply respectful of the fact that the messiness accompanies an inspiring creativity. She has built an incredible business with her creativity, making all kinds of dolls and even clothes, mixing colors and materials in ways no one has done before.
It makes me think about drawing again, doing more with my photos, or taking a pottery class. Perhaps I’ll start with a series of hands. After all my parents’ hands were one of my first inspirations in photography. Let it be messy at first, take many pictures, and see where it takes me.
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How were you creative in the past? How does that connect to who you are today?
Finding some spring 2
For all of you in colder climes, spring is on it’s way! Here in mild Northern California it means hills covered with thick green wild grass. Bright, carrot orange California poppies everywhere, from street corners to parks. Light, misty rains. And wild mustard, sprouting up everywhere from cracks in our street to wild hilltops.
Maybe it’s a sign 0
I don’t remember the last time I’d seen a rainbow, and then two in one week! I looked up from breakfast with my mom yesterday morning, and there it was, arching over the view I see out my kitchen window every morning. I’d like to think it’s a beautiful, colorful sign that things might shift toward the lighter and more positive in this house. Too many low, dark moments lately!
Last night I dreamed of my childhood, and woke up rested and happy. I was playing in the back of the school bus we had on our land. (Yes, there was a real yellow school bus by my house growing up. My dad converted it to a greenhouse and grew sprouts there that he sold to local health food stores. Lots of stories to tell about that!) In the dream, it was summer, and I could feel the warmth of dry, brown grass on my bare feet. I’d lost something in the bus, and was worried about how grimy it was in there. But I felt warm and content, filled by the sunny possibilities of my childhood summers. The feeling stayed with me after I got up, got ready, gathered my things, and went to the corner cafe to write.
Today is the first day of spring, and I’m feeling a shift toward the warmth and color that lies ahead.
Finding an Edge 3
Hi there! I’m back. I’ve missed showing up here these past couple weeks. Have been taking fewer pictures. And the internal editor of my writing has gotten more and more ferocious until I couldn’t get a word past her into this space. It’s just piled up in my folders of writing that no one else reads. But thanks to Christina’s encouragement, and finding escape and connection in others’ blogs yesterday, I am back. Moving again.
My favorite yoga teacher often tells us, as we stand holding a pose, arms extended, balanced on one foot, ‘find your edge’, encouraging us to breath deep into the limit of what we think we can do, and to play with that edge. Feel the discomfort of being at the limit of comfort, and going a little further. Fiery muscles, deep breaths, balance. Playing with the edge of what my body can do.
Blogging is a creative edge for me too. Showing up to put down feelings, playing along the borders of what I have words for. I have this comfortable idea of how polished I like to be when I show others my work. And then I have the need to put things down no matter what, because writing is the only way I know how to make sense of the emotional edges of infertility and writing a dissertation that set the tempo of my life right now.
So I am here. Recommitted to playing with my blogging edge, taking the risk of continuing to write even when the feelings are dark and uncertain. Moving forward. Feeling the burn of embarrassment as my legs shake or I lose balance, and breathing words into the experience.
What are the edges in your life right now? What helps you play with the limit of what you think you can do?
Weekend Away 2
We are going away this weekend, an escape to the rugged northern California coast. I’m looking forward to climbing rocks, hiking, hearing the ocean, being outside. I can’t wait to take pictures with our new lens. Most of all I’m looking forward to time with JJ, just us.
Pictures to follow!
In the Streets of Toledo 2
We got back a week ago, late Sunday night. The week quickly flooded us with the everyday of our lives in San Francisco. JJ with his worlds of new technologies, me with university days, dissertation, professors and scheduling meetings. It feels like a dream that we were in Toledo just a little over a week ago.
The power of high speed jet travel still surprises me, how far we can go in just one day. I grew up without traveling, except a few small car trips, mostly through school; I didn’t fly until I was 14. Now international travel is a permanent part of my life. It amazes me that my children will grow up traveling, will have two passports, will never know what it feels like to know nothing beyond 100 miles from their home.
My children. Oh how I wish they’d make their way into my life already!
*This last picture is the Alcazar, formerly a fortress, now housing the county library in one section. At the top of the corner tower there’s a cafe; the sweeping views of Toledo posted below were taken from here.
Past and Present in Toledo 1
Living in old-town Toledo is a little like living in a museum, the skyline, buildings, narrow stone streets marking an everyday connection to the past like the tapestries and tall thrones of a centuries-old royal museum. The main streets of town are dominated by tourist stores, golden souvenirs, handbags stamped with “Toledo” hanging next to fluffy red polka-dot Flamenco dresses. My father-in-law has made his living selling these souvenirs, walking around town visiting the owners of stores filled with glittering gold plates, jewelry, and long, silver swords. All traditional products from these parts, once handmade in small workshops, hammer meeting metal to pound the old damascino designs, now shipped from factories in China, assembled here.
As I drive into town to visit my Spanish Grandma, I look at the city, the Alcazar and Cathedral standing tall against the late afternoon sky. I think about how living in this museum of a town seems to go hand in hand with conservative values and a desire to keep the past alive, keep the uncertainty of present-day change at bay. Isn’t that what growing old is about, after all? They say we all grow more conservative as we grow older, working to protect what we have, pass on what we have learned to the next generation. When there’s money involved, or power, people hold even tighter, guarded and fearful of the impulsiveness of the young.
Having grown up with little connection to the past, not even knowing my grandparents, living far from where my parents were born, I’ve often felt seduced by the curves of history here, Roman bridges still providing a path across the river, castles a roof over peoples’ head. But it’s the stories that sweep me away, capture my imagination, make me wonder what kind of person I’d be if I were born in a place like this. How is it different to become who you are when so many physical reminders of the past surround you each day?
While packing for our trip home tomorrow, I listen to a podcast I’ve discovered called New Letters on the Air, an old episode from last June where Tobias Wolff talks about his book Old School. He says the book is partly about questions of identity, “how do we become the person we’re going to be”. He asks, “What part does imagination play in that?”
Wolff makes me think about the possibilities for creating who we are; he makes me feel like who we are is merely a question of the bounds of our imagination. At the same time, being in Toledo, listening to my Spanish Grandma’s stories, makes me think about how the past draws boundaries around our experience, colors how we see the present. What do you think matters more in defining ourselves, imagination or the past? How do both matter to you?


























